DÜRER, Albrecht (1471-1528) Nurnberg, Germany  

Young Hare, 1502 Watercolour and gouache on paper, 251x226mm Graphische Sammlung Albertina, Vienna	Lobster, 1495 Pen drawing on paper, 246x428mm Staatliche Museen, Berlin
Self-Portrait at 13, 1484 Silverpoint on paper, 275x196mm Graphische Sammlung Albertina, Vienna	Female Nude, 1493 Pen and ink on paper, 272x147mm Musée Bonnat, Bayonne
Nuremberg and Venetian Women, 1496-97 Pen drawing on paper, 241x160mm Städelsches Kunstinstitut, Frankfurt	Winged Man, in Idealistic Clothing, Playing a Lute, 1497 Silverpoint on dark paper, with white highlights, 268x195mm Staatliche Museen, Berlin
Head of an Apostle Looking Downward, 1508 Brush drawing with white highlights on a dark ground, 316x229mm Graphische Sammlung Albertina, Vienna	Portrait of a Girl, 1515 Charcoal, 420x290mm Staatliche Museen, Berlin
Portrait of Erasmus, 1520 Musée du Louvre	Antwerp Harbour, 1520 Pen drawing, 213 x 283 mm Graphische Sammlung Albertina, Vienna
Study of a Man Aged 93, 1521 Brush drawing on gray violet primed paper, 415x282mm Graphische Sammlung Albertina, Vienna	The Negress Katherina, 1521 Silverpoint drawing on paper, 20x14cm Galleria degli Uffizi, Florence
The Prodigal Son, 1496 Engraving, 261 x 202 mm Staatliche Kunsthalle, Karlsruhe	St Eustace, 1501 Engraving, 355 x 259 mm Fogg Art Museum, Cambridge
Adam and Eve, 1504 Engraving, 252 x 194 mm Staatliche Kunsthalle, Karlsruhe	Satyr Family, 1505 Engraving, 115 x 70 mm Art Institute, Chicago
Melencolia I, 1514 Engraving, 239 x 189 mm Kupferstichkabinett, Staatliche Kunsthalle, Karlsruhe	St Jerome in his Study, 1514 Engraving, 259 x 201 mm Staatliche Kunsthalle, Karlsruhe
St Anthony, 1519 Engraving, 96 x 143 mm Metropolitan Museum of Art, New York	Erasmus of Rotterdam, 1526 Engraving, 249 x 193 mm National Gallery of Art, Washington

The Adoration of the Holy Trinity (Landauer Altar), 1511 Oil on lindenwood, 135 x 123,4 cm Kunsthistorisches Museum, Vienna It was commissioned in 1508 by the wealthy Nuremberg metal-smelter Matthäus Landauer for the chapel of his Twelve-Brothers House, an almshouse set up to care for a dozen elderly artisans. Dürer also designed the intricately carved wooden frame for the painting, as well as stained-glass windows for the chapel, and the project took three years to complete.